This will provide a hint of madness behind the impact of the uncompressed drums. By subtly altering the compression settings, you can take abroad level of control over the way the drums drive or groove. Over the whole mix, you can think of the UBK-1 in visual terms as a filter – a sepia tone, for example – that brings character and colour. The results are exciting, impressive and very usable in mix conditions, bringing the kit forward, upping the energy and exposing the subtleties of the performance. For dance music, it’s a mixed bag of results.
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It takes a while to tune your ear into everything that UBK-1 can do, but gradually you get a feel for its sonic characteristics.
Lower it for more kush audio ubk-1 ie, less headroom or raise it audii more subtle results more headroom. There’s also a welcome high-pass filter on the sidechain, to reduce the effect of low frequencies on the compression – great for drum busses. The amount of drive into all three stages is controlled by the Headroom knob. Now we know the theory, what happens in practice?
Green and red virtual LEDs represent whether you have ample or no headroom respectively.
Avery subtle amount of the saturation changes the mood and feel by impression and gives your tune a more unified sound. Its most obvious application is on a drums buss: After that, using it is much like playing a musical instrument as you work to shape the sound. The announcement kush audio ubk-1 Kush had been working on a plug-in albeit not a software version of the UBK Fatsothen, was big news.
This will provide a hint of madness behind the impact of the uncompressed drums.
Kush Audio UBK-1 review | MusicRadar
By subtly altering the compression settings, you can take abroad level of control over the way the drums drive or groove. Kush Audio’s UBK-1 generated quite a buzz among those in the know prior to its recent launch.
For dance music, it’s a mixed bag kush audio ubk-1 results. A choice of five compressor models is on offer; each has its own particular response character a combination of attack, release, ratio and knee and a descriptive name Splat, Smooth, etc. The slower genres – hip-hop and dubstep, for example – benefit from the languorously rude compression characteristics, kudh the faster styles – jush, techno, DnB – are unlikely to find the toughness they’re after.
It’s not modelled on any particular tape or transformer character, and, with just one control knob, is designed to be tuned by ear alone. The results kush audio ubk-1 exciting, impressive and very usable in mix conditions, bringing the kit forward, upping the energy aucio exposing the subtleties of the performance.
A vitally important thing to understand about the UBK-1 is that there are no right and wrong settings: It’s a fabulous boutique ‘betteriser’ box that’s found its way into the studios of numerous high-calibre producers. Over the whole mix, you can think of audlo UBK-1 in visual terms as a filter – a sepia tone, for example – that brings character and colour.
You might not get the bite or toughness needed kush audio ubk-1 a heavy rock mix; though for a softer, more open acoustic or jazz mix, it’s ideal.
Each can be bypassed by clicking its VU meter, and uvk-1 gain structure is such that big volume jumps are automatically counteracted, which really helps when assessing the effect on a signal.
A few hidden controls wouldn’t do any harm – we’re thinking of those on PSP’s VintageWarmer, where you can ‘go round the back’ for more precise response time control.
Pros Broad sonic colour spectrum; easy and intuitive to use; creative compression; warm analogue character.
This processor adds definite but very subtle substance to the top or mid-range of the sound. Adding density to the kit bus especially at the top end adds a level kuhs substance that helps the readability within a mix. The UBK-1 is a three-stage processor comprising separate sections for Saturation, Compression and the more nebulous Density, with each designed to push the incoming audio into an analogue frame.
Generally, it’s very warm and very fat, and it particularly excels when deployed for heavy drum mishandling or, kush audio ubk-1, used lightly on spacious productions. That said, what Kush has created here is a very musical analogue-modelling plug-in aidio perfectly suits more open styles of production, doing a superb job of bringing performance nuances and detailing kush audio ubk-1 the fore.
The first processor is Saturation. Our Verdict Sonically stunning, UBK-1 excels at bringing authentic, flavoursome analogue character to drums, acoustic instruments and mixes. Essentially a combination of frequency-selective compression and saturation, kush audio ubk-1 effect is heavily dependent on the results of the previous sections. Sonically stunning, UBK-1 excels at bringing authentic, flavoursome analogue character to drums, acoustic instruments and mixes.
Well, the UBK-1 works equally well as an insert on individual tracks – such as vocals or acoustic instruments – and as a buss processor on drum groups or an entire stereo mix.